Rebel Wilson is learning the hard way that, more than ever, swallowing pride and apologizing is the best way to make a mistake. After days of protests according to his complaint last week O Show by Ellen DeGeneres who was "the first greatest woman to be the star of a romantic comedy," referring to the next film It is not romantic, the actress admitted on Monday that she was wrong.
In a couple of well-intentioned moments, in the hope of raising my older colleagues, they neglected me to show the right respect to those who climbed the mountain before me like Mo & # 39; Nique, Queen Latifah, Melissa McCarthy, Ricki Lake and probably many others .
– Rebel Wilson (@RebelWilson) November 5, 2018
Wilson's excuse comes after fans and film critics have emphasized that he could not recognize the work of actresses such as Ricki Lake, Queen Latifah and Mo & # 39; Nique when he claimed to be the first romantic leader.
Instead of immediately admitting his mistake, Wilson suggested those The actresses really did not count as leads of more size and it was proceeded to block criticisms, many of them African-American, who called her on Twitter. She is since then He has unlocked at least some of the critics.
Hello girl Yes, of course, I know of these films but it was questionable as to whether: 1. Technically, these actresses were bigger in shooting those movies or 2. Technically, the movies are catorgorized / factured as a rom-com studio with a single lead. Therefore, there is a small gray area
– Rebel Wilson (@RebelWilson) November 1, 2018
Prior to his apology, Wilson was especially taken in the task of erasing how inclusive black films were from women of all kinds of body. Given the history of the entertainment industry of marginalizing and underestimating black actresses and the shortage of black film critics that covered the industry, the initial dismissal of the actress on the part of Hollywood's black contributions to the inclusion of size provoked outrage.
Is not it romantic? is being considered politically as a "game changer"
Is not it romantic?, which stars Rebel Wilson and Liam Hemsworth and will be released on Valentine's Day, has been declared a "game changer" for the moment of the body's positivity. (The trailer for the movie is out, and Wilson discussed the plot to promote it).
In the movie, Wilson plays a woman named Natalie who hates rom-com because they often star in the types of Julia Roberts, and not the bigger women like herself. But when Natalie hits her head, she lives in a rom-com, complete with a handsome pretender (Hemsworth) who falls for her at first sight.
ABC 's Good morning America program He predicted that the PG-13 film could be a "body trustworthy match changer", especially for teens. The morning also compared the movie Crazy Rich Asians to suggest that you could do it due to bodily diversity or what CRA Made for ethnic diversity on the silver screen.
The premise of the movie, however, is problematic, as something extraordinary has to happen (head trauma) so that Natalie attracts a desirable partner – and this companion, instead of Natalie, is the one who helps change her vision of herself
There is nothing radical about a woman who chooses to love herself after a man does it first. But during a time when diversity became a point of sale, either in the body or in ethnic diversity, it is easy to see why Is not it romantic? It was marketed as a "game changer".
However, the movie really is not. Movies like the Amy Schumer vehicle I Feel Pretty, although not a rom-com, has explored body image just as recently as this spring. E Netflix Sierra Burgess is a loser, which premiered in September, recounted the romantic experiences of a "middle-aged" teenage girl.
Is not it romantic? It may not really be a game changer, but it is this characterization of the film that probably provoked the reaction against Wilson's comments. Wishing to play the pioneering role, Wilson left the larger actresses, many of them women of color, who have already played romantic discussions in films that did not depend on a fantastic premise to launch the plot.
When Wilson questioned in a tweet whether actresses such as Queen Latifah or Mo 's Nique were really "more sized when filming", it was plausibly produced by their desire to frame their new rom-com as an innovator. But in doing so, she inadvertently drew attention to the little credit that black women got for their work in the entertainment industry and beyond.
It is also worth mentioning that one of the most important of América Ferrera starred in 2002 Real women have curves. The film focused not only on the relationship of her character with her mother and her work at a Los Angeles garment factory but in her novel with a boy from a completely different class and ethnic background.
Colored women have, for years, represented in the movies in a variety of sizes and shapes. They played friends, relatives, coworkers and sometimes love interests.
To avoid the clamor that now dominates the press about his rom-com, all that Wilson had to do was recognize that fact. When he launched his line of clothing of more size Rebel Wilson x Angels last year, for example, he did not market it as the first brand of clothing of more size, because that would be absurd. Instead, she argued directly because there was a need for a clothing line in sizes from 14 to 24.
"Obviously, I feel that the most salient fashion is unattended and, since the average size of an American woman is 16 to 18 years old, why are not there any more brands, more options?" Said Wilson at the launch party of your line "Style should not be left only in size 2 or 4."
She could have made a similar statement about her new movie, not selling it as the first movie, but stressing why it is important to have women of all kinds of body that play loving interests. In doing so, it was possible to emphasize the actresses who arrived before she was.
Because body diversity is more prevalent in feature films of people of color
There is a reason why body diversity is most prevalent in feature films of people of color, and not everything is positive. Since the Golden Age of Hollywood, the biggest black women have appeared in the movies due to racial stereotypes that have put women in color as "mamas" or "jezabeles".
Think of this dichotomy as a racialized version of the madonna / whore stereotype. While the jezebels were rooted in the hypersexual stereotypes about black women, the "mammy" stereotype framed the black woman as heavyset, asexual of caregivers of white families.
Actress Hattie McDaniel, the first black woman who received an Academy Award, won the Oscar for her role as "Mammy" in It went with the wind. She would continue to play an employee more than 70 times, as the character was one of the most common movie representations of African-American women.
In the 21st century, the trope was not completely extinct. Actress Octavia Spencer commented on the frequency with which she asked him to play roles and even won an Oscar for playing such a character in 2011 The Help.
Today, however, the audience also sees movies with larger black women as romantic tracks; It is not considered shaking the earth, for example, to see Queen Latifah paired with the Common in a movie.
But this does not mean that fatfobia is not a problem in the black community. It is a problem in virtually every community, and many of the black movies that are the protagonists of larger actresses as leaders address this. "Nique" commented on her feelings about thin women and their efforts to lose weight in their writing, acts of comedy and social media. And she was one of the black actresses who tweeted directly to Wilson for falsely claiming that interpreting a loving interest turned her into a pioneer of more size.
Hello, my sweet sister. Do not let this business eliminate our talent with gray areas and technicalities. Take a moment and know the story. Do not be a part of destroying it. I wish the best.
– I'm just around the world (@ all over the world) November 3, 2018
"Take a moment and know the story," the comedian tweeted Wilson. "Do not be a part of destroying it. I wish the best."
The words of Mo & # 39; Nique speak for many of Wilson's critics. Beyond requesting that he apologize for his error, they want Wilson to admit that the inclusion of size in Hollywood began largely with African-Americans.
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