The exhibition through the testimonies of the material culture will speak about Latvian society in several stages of history. How was Latvian painting, what role was in design? How have different periods been discussed about the beautiful and contemporary, the limits of design and art? How does the design change with the fluctuations of well-being? What trends have new design directions?
The design aims to be contemporary: the ideas offered by designers often respond to a functional problem, the need or desire of the consumer.
A successful design solution is inevitably related to the technology of the moment and the aesthetic ideas, which encompasses the values and everyday life of society. At the same time, both Ansis Cīrulis and Julijs Madernieks with textiles and furniture assemblies, and the Baltars workshop and the most outstanding examples of book publications ("Golden Apple"), "Minox", "VEF". Spīdola ", the design of the Riga Porcelain Factory in the 60s, the Riga Poster School, Zaigas and Māra Gaiļu" Furniture for young people ".
Exhibition "DIRECTLY TIME. The design stories about Latvia" will return to 100 years since the founding of Latvia, when the design gradually became an independent discipline, separating itself from art, architecture, crafts and industry.
This exhibition will not be a chronological history of the achievements of a century of antiquity: the episodes in the history of design will be rationalized, looking for common themes and starting points for the activities of the different generations of designers.
With the design objects, the exhibition includes videos, photographs and other testimonials that reveal the contexts in which these objects were created and used. The project is superior using the collection of the Museum of Arts and Decorative Design, the National Archives of Latvia, the State Files of the Latvian Letter Movement Documents, the National Library of Latvia and other memory institutions.
The exhibition will be complemented by a collection of articles where you can familiarize yourself with research articles on important pages of history in Latvian design, for example, on the inheritance of Julia Madernieka, the economic store of the army as the most modern of the Baltic in the 1930s, the plywood planes constructed by Karlis Irbitis, the graphic identity of the VEF factory, art projects, etc.
The second part of the catalog will be interviewed to document stories of current witnesses on important terms from the age of 30 to nowadays.
Parallel to the exhibition, the Museum of Decorative Arts and Design prepares an extensive program of events: a scientific conference, creative workshops, meetings, excursions and other activities.